Anthropology 317

Visual Anthropology

Spring 2005

We have been assigned a small room. An appropriate sized ITC room is unavailable. Therefore the normal
size of 20 students has been reduced. In order to accomodate as many students as possible I will
remove from the class roster any student who does not appear at the first class. I expect the class
to number 16 students. Sign up for this course only if you are truly interested in the topic.
Course shoppers are not welcome.

1400-1515 TR (Wilson 141B)

J. David Sapir



David MacDougall, filmmaker

 

Office hours: After class and by appointment
924-6821
ds8s@virginia.edu
(email is the best way to get in touch with me.)

Readings: (Spring 2005 readings)

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Extra - for those of you who are theoretically inclined. It is primarily about film: A copy is on reserve:  Lucien Taylor, Visualizing Theory

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This course is divided into three major topics: The use of photography in the early days of the discipline, and the use of film and video in Anthropology and the American documentary tradition in photography.

Teams

This is not a lecture class in the full sense of the word. Students will, as we go along, be presenting class reports. There will be four teams with a maximum of four students on each. Each team will be responsible for leading discussions on selected items.

The readings are divided following the three topics.  Excerpts from the Edwards collection and Young go with the initial section of the course, where we examine photography in the early days of Ethnography. The MacDougall and Ruby go with ethnographic film and the Agee and Evans and Fleischhauer, et.al. go with the documentary photography. You are responsible for all of the reading - some of which, but not all, will be covered in class.

There will be three take home quizzes and a paper -  The quizzes will match the three topics. The paper can be on any topic dealt with in the course. Think of 10-15 pages in length for the paper. The first quiz will be on February 8th, the second March 31 and the third at the time of the scheduled final (Saturday, May 14) or earlier. The paper will be due the last week of April, but will be accepted earlier. If you get me a draft of the paper three weeks before the due date I will happy the read it over for you.

The teams will give presentations on the following:

1.  Films. Each team will be responsible for reporting on at least two films.
2.  The National Geographic. Each team will report on one or two extended articles from the NG - In four presentations we will want to cover a considerable time depth. (The NG is over a 100 years old.)


Click Here for the Team List and Schedule.

Film Logs

Although each of you will be reporting, as part of your team, on a selected set of films, you are expected to see a large portion of the films listed in this syllabus. At the end of the course, at exam time, you will turn in a Log on your viewing – a short evaluative paragraph for each film. The logs will evaluated as being: comprehensive, adequate, minimal and the evaluation will become part of the course grade.

Class schedule:

20 Jan - Introduction. - We will also set up the four teams and allocate the films to presented by the teams.

25 Jan - The Jóola world in photographs

27 Jan - Still photography in Anthropology
              Sample Photos from the Edwards' book

1 Feb - Still photography in Anthropology

3 Feb - Still photography in Anthropology

8 Feb - Film: Introduction: Dai Vaughan - Ambiguity, Poetics and Documentary film - Shown in class: Night Mail - filmed in 1936 and directed by John Grierson, who coined the term documentary film.

10 Feb - The First classic documentary film: Nanook of the North - About Flaherty: discussion in class. (Students will have seen the film prior to class)

15 Feb - LOST! - techo-catastrophe!

17 Feb - Team 1: Rouch: Chronique d'un été

22 Feb - Team 2: Rouch 2: Jaguar

24 Feb - Team 3: Marshall general (mainly The Hunters)

       John Marshall and Tim Asch - night time editing.

1 Mar - In Class: Marshall's N/um tchai (A ceremonial dance). and An argument about a marriage

3 Mar - Team 4 Asch 1: Ax Fight and the Yanomami films

5-13 Mar Spring Recess

15 Mar - Team 1 Asch 2: Bali films

17 Mar - Team 2 MacDougall 1

22 Mar - Team 3 MacDougall 2

24 Mar - Team 4: Cannibal Tours

29 Mar - Film, wrap up.

31 Mar - National Geographic presentations: Teams 1 and 2

5 Apr - National Geographic presentations: Teams 3 and 4

7 Apr - National Geographic - An icon of what? - Carol

12 Apr - Documentary Tradition in Photography: Riis - Hine

14 Apr - FSA

19 Apr - LUNPFM - teams 1 and 2

21 Apr - LUNPFM - teams 3 and 4

26 Apr - LUNPFM - wrap up - Caleb

28 Apr - A little bit about LIFE

3 May - last class

Rather than scouting around and looking at a variety of films by a variety of different film makers we will stick with two "classics" and just five other film makers. Teams will not report on the entire set
 

  •  Three incidental films

    Cannibal tours : O'Rourke & Associates.1987. [VHS5094]
    Trobriand cricket: an ingenious response to colonialism : Jerry W. Leach and Gary  Kildea; produced by the                           Office of Information, Papua New Guinea. [VHS0323]
    First contact produced and directed by Bob Connolly and Robin Anderson in association with Institute  of                            Papua New Guinea Studies. [VHS1473]

  • Two films to be used on the second quiz
    Family Business 1982 [VHS7781, 87mm] produced and directed by Tom Cohen.
    Slacker [VHS6341, DVD04007, 92mm] Richard Linklater.

     

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